Original Motion Picture Soundtrack Fatty Finn (RE-POST)

Hooray For Fatty Finn/Phar Lap/Mean Woman Blues/Old Slouch Hat/Fatty's Fair


Fatty Finn, is a popular long-run Australian comic strip, was created in the early 1920s by Syd Nicholls. The strip was initially called Fat and His Friends and was first published in the Sunday News on 16 September 1923. Fat appeared as a Billy Bunterish almost bald, nasty schoolboy, complete with straw boater. Fat was usually the butt of his friend's jokes, with those early strips exhibiting much of the cruelty practiced by children and reflecting a school system which believed in corporal punishment. On August 1924 the title of the strip was changed to Fatty Finn, heralding a change in the strip's direction and the role of the main character, who evolved from an English boy lookalike into a knockabout schoolboy innocently living out his days in a never-never urban world. Over the next few years, Fatty gradually lost weight, gained a boy scout style uniform, a dog ('Pal'), a goat ('Hector') and permanent supporting characters including Headlights Hogan, Lolly Legs, Bruiser and Mr. Claffey the policeman. Fatty adopted a more heroic role and the comic moved closer to the standard 'kid' strip with a distinct Australian flavor.

In 1980 the strip was adapted into a feature film, Fatty Finn, directed by Maurice Murphy. The film grossed $1,064,000 at the box office in Australia and was nominated for seven Australian Film Institute Awards in 1981, including Best Original Music Score, which it won. The movie starred Bert Newton, Lorraine Bayly, Gerard Kennedy, Noni Hazlehurst and Ben Oxenbould who later played the character "Ben" in the sitcom, Hey Dad..!

Rory O’Donoghue & Grahame Bond penned the songs for the Soundtrack and the EP was released in 1980 on Polydor Records - apparently without the consent of O’Donoghue and Bond. O’Donoghue’s parents, Terence and Sybil O’Donoghue, who were with D’Oyly Carte Opera in London, both sing on the soundtrack. (Thanks to Ozzie Music Man for the EP and the Bio)

Various - Hits from Pippin FLAC

Colleen Hewett - Pippin ( Finale )/Stuart & McKay - No Time At All/Marcie Jones - Corner Of The Sky/Dove - Magic to Do



 Pippin is a 1972 musical with music and lyrics by Stephen Schwartz and a book by Roger O. Hirson. Bob Fosse, who directed the original Broadway production, also contributed to the libretto. The musical uses the premise of a mysterious performance troupe, led by a Leading Player, to tell the story of Pippin, a young prince on his search for meaning and significance.

The protagonist Pippin and his father Charlemagne are characters derived from two real-life individuals of the early Middle Ages, though the plot is fictional and presents no historical accuracy regarding either. The show was partially financed by Motown Records. As of April 2019, the original run of Pippin is the 36th longest-running Broadway show.

The original Australian production (a replica of the Broadway production) opened in February 1974 at Her Majesty's Theatre in Melbourne. It starred John Farnham as Pippin, with Ronne Arnold as the Leading Player, Colleen Hewett as Catherine, Nancye Hayes as Fastrada, David Ravenswood as Charles and Jenny Howard as Berthe.[18] The production transferred to Her Majesty's Theatre in Sydney in August 1974.[19] A cast album was released.

Colleen Hewett (born 16 April 1950) is an Australian theatre and TV actress, and a popular singer. Her top 40 singles on the Kent Music Report include "Super Star", "Day by Day" (both 1971), "Carry That Weight" (1972), "Dreaming My Dreams with You" (1980), and "Gigolo" (1981). Her version of "Day by Day" peaked at No. 1 on the Go-Set National Top 40 Singles Chart and was certified as a gold record. At the TV Week King of Pop Awards she was voted Queen of Pop in both 1972 and 1973. During 1985, she played Sheila Brady in the international hit TV series, Prisoner.

In 1973, Ian Stuart & Ken McKay charted in Brisbane & Perth with "Hey Billy", a song based on a photo seen in “Time” by Ken. Reviews compared Stuart & McKay to the U.S band "America”.. They released two albums “Playing Up” and “Never Is Forever” plus five singles. Both men are no longer with us.

Marcie’s career started out as a teenager with The Thunderbirds in the early ‘60s. She then went on to perform with Normie Rowe and The Playboys and had many appearances on the popular TV segment ‘The Go-Show’. In the late ‘60s It was Normie who suggested she team up with the Cook sisters from Brisbane, who were already performing as ‘The Cookies’. With the attention of The Twilights Manager Garry Spry, Marcie and The Cookies were signed to E.M.I and went on to record in the studio. Though, it was the demand for session work on tracks such as ‘Something’s Got a Hold on Me’ and Russell Morris’ ‘The Real Thing’ that they are most recognized for today.


 Dove was a Melbourne quartet that formed in 1970 and released several singles and three albums 1973-76. Their lead vocalist was Sharyn Cambridge. In 1981 she released an EP with The Colin Who Band.

Chad Morgan - 1962 - In Person FLAC

The Sheik Of Scrubby Creek/Since Dear Mother Died/The Shotgun Wedding/Here I Am



Morgan was born in Wondai, Queensland, the eldest of 14 children to Dave and Ivy Morgan. From an early age he was raised by his grandparents, Bill and Eva Hopkins. After his grandfather died in 1945, he and his grandmother moved back to Scrubby Creek to live with his parents and siblings. Morgan left school at age 12 and found work cutting timber.

Morgan was discovered through Australia's Amateur Hour, a radio talent contest, where he sang his original song "The Sheik of Scrubby Creek" and was a finalist. He began recording with Regal Zonophone Records (a subsidiary of EMI) in 1952, while completing his national service obligation in the Royal Australian Air Force (RAAF).

Morgan's songs are peppered with Australian slang; one CD compilation is called Sheilas, Drongos, Dills and Geezers.

Morgan's first wife was Pam Mitchell, with whom he had three children - Allan, Chad Jr. and Janelle. Morgan married again on 14 September 1985 to Joanie, whom he had met the year before. After their marriage Morgan gave up drinking and smoking completely.

Morgan has toured extensively, including with the Slim Dusty Show, the All Star Western Show and his own Chad Morgan Show. He has been prolific in his recorded output and live performances. In 1987 Morgan was inducted into the Australian Roll of Renown., and was awarded an OAM in 2004. Morgan has appeared in three films, Newsfront (1978), Dimboola (1979), and the biographical documentary I'm Not Dead Yet (2011).

Morgan contributed one verse to the Gordon Parsons song "Pub With No Beer". He was dubbed the "clown prince of comedy" by Slim Dusty. He recorded a duet with John Williamson, "A Country Balladeer". He has had platinum and gold album sales and is one of Australia's most popular country music artists. Morgan performed at Sydney Opera House with Slim Dusty in April 1978. An album of the concert was released three years later, as On & Off The Road. It was released the same year as Sheilas Drongos Dills & Other Geezers which contained 20 of Morgan's hits from the 1950s and 1960s.

In 2009, Morgan wrote a song about his Aboriginal heritage, dedicated to his grandparents who raised him as a child, titled "The Ballad of Bill and Eva". It was recorded with his granddaughter, Caitlin Morgan.

Artists who have impersonated Morgan in their shows include Col Elliott and John Williamson. Barry Humphries used Morgan as his inspiration for Les Patterson's teeth. Tex Morton once described Morgan as the only original country music artist in Australia. In 2008, false rumours of his death began to surface after an announcement on radio station 4GY. The radio station later apologised for the rumour. Thanks to AussieRock.

Alan Lee Quintet - 1963 - Moanin' FLAC

Moanin'/Comin' Home Baby



 Alan Lee (born 29 July 1936, Melbourne, Australia) is an Australian bandleader, vibraphonist, guitarist, and percussionist. He was one of the first Australian jazz musicians to fuse classical music with jazz and to utilize Latin American rhythms in his music. He led several jazz bands in Melbourne and Sydney from late 1950s through the 1980s. His recorded albums include Gallery Concerts (1973, Cumquat Records 12-03), The Alan Lee Jazz Quartet (1973, Jazznote), Moomba Jazz ’76, Live from the Dallas Brooks Hall (1977, 44 Records 6357708), and Alan Lee and Friends: Jazz at the Hyde Park Hotel (1990, Request Records 1511) among others.

"There are few Australian originals in jazz, though vibraphonist Alan Lee surely ranks alongside the best. Australian jazz is and always will be an interpretation of the American art form, but throughout his long career Lee has ploughed his furrow undaunted, 'What I want is the fire! Whether it's John Coltrane's Blues Minor from Africa Brass or Backwater Blues by Leadbelly, I want the emotion, the gut wrenching pain, the cry from within!'

These are uninhibited words. A musician and bandleader who cut a number of jazz sides for small independent Melbourne labels from the early 1960s to the mid-1970s, Lee has always searched for this fire, evident in the broad styles he's covered throughout his career,