Col Joye - 1967 - There Goes My Everything FLAC

There Goes My Everything/You Know How I Feel/ I Couldn't Care Less/Long Long Time


Col Joye (Colin Frederick Jacobsen) is an Australian rock musician born on 13th April 1937 in Australia. He was the first Australian rock and roll singer to have a number one record Australia-wide and experienced a string of chart successes in the early Australian rock and roll scene.

At the age of 14 he left school and began working as a jewellery salesman. In 1957 together with his brothers Kevin and Keith and others they started playing rock and roll at dances and cinemas in Sydney. They formed a band and named it KJ Quintet, they secured a regular gig at a hotel in Maroubra. Entrepreneur Bill McColl soon offered them a spot playing on his ‘Jazzorama’ concert in October 1957, and the band changed their name to Col Joye and the Joy Boys.

They signed a contract with Festival Records and produced their first hit single ‘Bye Bye Baby’ which hit the charts in March 1959.Col Joye and the Joy Boys’ third great success, ‘Oh Yeah Uh Huh’, released in October 1959, was the first rock song recorded and produced in Australia to become a national number one pop hit. The song is remembered for its unusual backing, the beat provided by the sound of a typewriter.

By 1963 Col Joye had released 20 singles, 24 EPs and 19 LPs and his popularity was such that two full time staff were required to cope with all the fan mail. The rise of the Beatles from 1963 meant that Joye waited until 1973 before another number one hit, his ballad ‘Heaven is my woman’s love’.

In 1966 Col Joye and his brother Kevin built up a strong business in artist management and publishing – the record label ATA. As managers they helped form the careers of Little Pattie and Judy Stone, discovered the Bee Gees, and encouraged Barry Gibb’s songwriting.

Thanks to Sunny

Hard Ons - 1989 - Giveaway EP 7'' FLAC

Sick Of Being Sick/Graham/Fuck Off Cunt Features/ Fuck Off Cunt Features (Live)/Fuck Off Cunt Features (Paul Tonkin Session)



 The Hard-Ons are an Australian punk rock band which formed in 1981. Founding members included Keish de Silva on guitar, vocals and Peter "Blackie" Black on guitar, Ray Ahn soon joined on bass guitar with de Silva switching to drums. The group issued eight studio albums before disbanding in 1994. They reformed in 1997 to release further material. In 2002 de Silva was replaced on drums by Peter Kostic, who was replaced in turn by Murray Ruse in 2011. De Silva returned as a guest vocalist in 2014 and permanently rejoined the band in 2016. During their first 12 years, the group issued 17 consecutive number-one hits on the Australian alternative charts. During that time they became Australia's most commercially successful independent band, with over 250,000 total record sales. Australian music historian, Ian McFarlane, described their music as "cheap and potent, their appeal selective. Yet never has so much been owed by so many to so few chords ... fused punk tempos, hardcore attitude, heavy metal riffs and surf-pop melodies into a seamless ball of energy".

 The Hard-Ons' origins are traced to Western Sydney's Punchbowl Boys High School, where three founding members were students. In 1981 the first version of the band, then-known as Dead Rats, included Peter "Blackie" Black on guitar, Brendan Creighton on drums and Shane Keish de Silva on guitar and vocals. In 1982 Creighton left to form Thrust and Raymond Dongwan Ahn joined on bass guitar with de Silva taking over on drums, the group began playing as The Plebs before being renamed as The Hard-Ons by the end of the year. Initially being too young to play in pubs, the band featured at birthday parties and school dances. On 20 June 1984, The Hard-Ons played their first official show at the Vulcan Hotel in Ultimo. Black later recalled "We wanted to be punk rockers ... We didn't want Keish's parents to see so we had bags full of these jackets and chains and stuff and went around the corner of the street and put all these clothes on. Keish's dad busted us". Quickly gaining a considerable following, in August 1985 the band released its debut extended play, Surfin' on My Face, on ViNil Records. This was the beginning of a series of releases for the band that netted them a run of 17 consecutive No. 1 listings on the Australian alternative music charts.

 The band demonstrated an independent punk spirit, with the members deliberately controlling their own careers: recording, booking and promoting themselves, creating their own artwork (mostly by Ahn), choosing support bands and even managing the merchandise stand whilst on tour. During 1987 the group were promoted as part of the Australian skate boarding scene. While maintaining a solid if underground following in Australia, The Hard-Ons were popular in Europe, scoring a Top 10 hit in Spain and a Top 5 slot in Greece with their 1989 album, Love is a Battlefield of Wounded Hearts. It also reached the Top 5 on the NME chart; this made The Hard-Ons the third Australian band after Nick Cave and the Bad Seeds and the Go Betweens to do so. 

  In 1989 the group recorded a split EP with British band The Stupids. Two years later they teamed up with Henry Rollins and released a cover version of AC/DC's hit, "Let There Be Rock", which was released in a limited edition on 10" vinyl. In January 1992 the group performed at the inaugural Big Day Out and were joined on-stage by Rollins on four songs. Following the release of 1993's album, Too Far Gone, and after recording a live album for Your Choice Records, the band announced their break up, to pursue projects outside The Hard-Ons' style of music: "after more than ten years of playing the same songs, they were just not interested in doing so any more". In October 1997 The Hard-Ons played a reunion gig which was followed by the release of a new EP, Yesterday and Today, in 1998 and a compilation album, The Best Of, in 1999. In August 2001, ABC-TV broadcast the rock music series, Long Way to the Top. The Hard-Ons featured on "Episode 6: Gathering of the Tribes 1984–2000" where they were described as "an eclectic band of misfits that took up where punk had left off in the early 80s. Their challenge was to make that sound relevant and exciting in the 1990s. There was nothing left but to get downright offensive"